Drawing his concepts from disparate source material such as art history, political propaganda, and popular culture, Erik Geschke also takes the seemingly familiar as a starting point for satire, confronting viewers so that they reassess their perspective on the both the artwork and on life itself. His sculptural work Untitled (Social Engineering), 2011, depicts Buckminster Fuller’s modernist, geodesic dome constructed from 65 cast plastic human femurs, a comment on the fine line between utopia and dystopia.